About two months ago, someone in a Facebook group to which I belong – one I really love – made a comment about which hot women in horror are worth your time, eventually commenting that if you wanted “hot” Jamie … Continue reading →
“Dolores Claiborne is a really, really good film.” – Stephen King The Novel First thing to mention is the format of the book. Rather than King’s usual chapters and third person narrative, we are presented with one long monologue straight … Continue reading →
I’ve been binge watching The Chilling Adventures of Sabrina this weekend in anticipation of Halloween and holy shit Batman, between the cast (Richard Coyle! Miranda Otto! LUCY DAVIS!) I’m beside myself with glee. Bring on the scary this week. … Continue reading →
Chances are, if you’ve got kids, you wrestle with certain films to show them. You fret and worry about if they’re ready, especially for some of the classic horror films. Such is the case with Poltergeist (1982). The film concerns … Continue reading →
**WARNING: I liked this film and it’s still relatively young, so you get a spoiler warning. It’s Spoiler City here.** Cards on the table: Ari Aster’s Hereditary (2018) messed with me. I watched that film wondering where it was … Continue reading →
So I went to see the new Halloween this weekend, and I am following it up with a Black Mirror chaser and wondering what in holy Hell is wrong with me. This week, we’re sticking with the scary more so than … Continue reading →
Chugging along on the Goth Kid Nostalgia Train, we’ve arrived at one of my favorite stations: The Crow (1994). I’m not talking about the sequels – we’re here for the original. Sure, it’s been bandied about that a remake might … Continue reading →
Gotta hand it to Addams Family Values (1993): it’s one of the few sequels that manages to outshine the original, itself a rarity in that its predecessor, The Addams Family (1991), was a well-received big screen adaptation of a beloved … Continue reading →
Oh sweet baby Jesus, I made my first pumpkin pie of the season. The poor little bastard never stood a chance. This week, we’re going equal parts classic and fun. We’ll kick off by taking a closer look … Continue reading →
A true sign of genre acceptance is a parody. On a bad day, it can be corny, drawn out and unfunny; on a good day, a parody can hit all the right notes, taking scary situations and making them knock-down, … Continue reading →
