I had heard about 2013’s Contracted, written and directed by Eric England, a few months ago. Depending upon which source I read for the description, this one dealt with the after effects of either a woman’s one-night stand or rape. … Continue reading →
I like Cemetery Man; really, I do. Michele Soavi has an eye for color (that seems to be a running theme of Italian cinema). It has a humor and style that’s always appealed to me. The shot of Valentina’s glass … Continue reading →
Horror often doesn’t get the credit it deserves. True, there’s usually some slicing and dicing going on, but at its core, horror stares into what makes us afraid and articulates those fears as something we can see and, ostensibly, face. … Continue reading →
Mad Max views the world as it’s beginning a descent into anarchy; this world often envisions instances of rape. With the notions of order gone (or in this case, rapidly dying), the atrocious act becomes far more common. The fact … Continue reading →
