Yeah, yeah – I know that I just griped to high hell about The Handmaiden, but you’ll get over it because I already have (we bounce back quick around here once we’ve had the chance to rage. Except for Lust, … Continue reading →
I haven’t done one of these in a long time, and had pondered a few other contenders in a bid to get back to the basics. But then… Park Chan-wook’s The Handmaiden happened. I wanted to like this one. I … Continue reading →
So I was going to post something nice about how on Mother’s Day, I remember the women who are yearning to becoming parents; this year, I direct you to read up on how some wonderful, resilient people may feel with … Continue reading →
Some people prefer The Rolling Stones. Me? I’m a Beatles fan. I went through my Beatles phase when I was about 12 and it never stopped. No shame in that. I love the Fab Four. Part of that love extends … Continue reading →
Ever fashionably late, I first caught Spring about a week ago as of the time I write this, making me the old lady that’s officially out of the loop with what the cool kids are doing. The film definitely lived … Continue reading →
The second trailer for It came out yesterday and I prompted went bonkers over it. Let’s review, then we can have some coffee talk about it in a few, okay? First, the good. The lighting looks tense! The sets are … Continue reading →
I don’t know about the rest of you, but I want to lie down and sleep for an hour or two or 300. So we’re going to combat that feeling by getting into the swing of things with some analysis … Continue reading →
So last year, my friends Scott and Liam over at the Scott and Liam vs. Evil podcast (still a cool cast, by the way) introduced me to this little gem of a film, and I got to see a preview … Continue reading →
Prevenge has proven to be divisive: people either love it or hate it. The film chronicles the revenge quest of expectant mother Ruth (Alice Lowe) against those she holds responsible for the death of her partner in a climbing accident. … Continue reading →
Let me start this by saying that never in a fucking million years did I think I’d be covering an Adam Sandler film for analysis outside of Punch Drunk Love. To be completely fair, Sandler didn’t write this – this … Continue reading →
