About two months ago, someone in a Facebook group to which I belong – one I really love – made a comment about which hot women in horror are worth your time, eventually commenting that if you wanted “hot” Jamie … Continue reading →
Of all the DVDs I’ve managed to misplace over the years, losing Le Pacte des loups (Brotherhood of the Wolf, 2001) is the one that’s continually pissed me off. Despite that it’s not the best film in the world, I … Continue reading →
A couple of weeks ago, I wrote up issues of class, race and privilege in Don’t Breathe. Here’s the oddball crux with that film for me: while I didn’t like the strange plot holes, I really did enjoy Jane Levy’s … Continue reading →
If you know me personally, you will realize right off the bat that you’re walking into a rant. Ten words or less: I hate, hate, HATE It’s a Wonderful Life. There’s really not much more I can say about that. … Continue reading →
Women in Horror is such a fantastic movement. I love the spotlight that comes with it to deserving projects that otherwise get buried in a male-dominated world. Considering that we’re getting some of our most fearful, visceral work from female … Continue reading →
I think I’m one of the few people on the planet that actually enjoyed the living hell out of Quentin Tarantino’s Death Proof. Everyone I know hates this movie. It gets way more shit than it should. Is it his … Continue reading →
A few months ago, I watched my first Nicolas Winding Refn film, Bronson, and marvelled at the fact that Refn presented us with a naked Tom Hardy that wasn’t terribly sexualized. That in and of itself was a feat, and … Continue reading →
Thought I was going to go for Switch being transgender the minute I mentioned The Matrix, huh? Nope. I’m leaving that issue to Nika Black (we’ve talked about it, and she called dibs). What I’m interested in exploring is the … Continue reading →
