**WARNING: THE FOLLOWING POST CONTAINS SPOILERS FOR A FILM THAT IS STILL IN THEATRES. READ AT YOUR DESCRETION** Multiple people and websites spoiled Darren Aronofsky’s mother! for me just as soon as it came out. We’re talking way under … Continue reading →
First thing’s first: I love Alex Proyas’s 1998 film Dark City. I really do. Stylistically, the film is nothing short of a masterpiece. It’s that beautiful woman that walks in and causes the entire room to gasp and stare in … Continue reading →
Let me start this by saying that never in a fucking million years did I think I’d be covering an Adam Sandler film for analysis outside of Punch Drunk Love. To be completely fair, Sandler didn’t write this – this … Continue reading →
The first season of Twin Peaks is a bit like an addiction for me: if I start one episode, I must absolutely binge watch it until I get to the end. I explain this by drawing a parallel to Eric … Continue reading →
Last year, I defended the living hell out of the cue card scene in Love, Actually. I still stick to that: it’s not creepy. You know what, though? The movie’s not entirely off the hook. Do I love the different … Continue reading →
After looking at Mulholland Drive, why the hell not recommend something from Cronenberg? It’s a bit like being a glutton for punishment in this respect. I’ll be frank: Maps to the Stars may not be for everyone. Some find it … Continue reading →
A few weeks ago, I did something bad. I recommended Donnie Darko as a film to review to the boys over at the Scott and Liam Vs. Evil podcast. Time travel can be a doozy with that one, but the … Continue reading →
