Last week sucked. Can we promise to try to make this one better? Because I really don’t know if I can do another week like last week.

Let’s spank this week.

This week, instead of a flat-out analysis tomorrow, I’ll be posting my favorite Rickman role (spoiler alert: it’s as The Metatron in Dogma). We’ll get back into the swing of things by deconstructing why Anthony DiBlasi’s Dread worked so well, despite that it completely deviated from source material. We’ll finish out the week be recommending a really weird film from Japan. I think if we all stick with the group and don’t let go of the rope, we’ll be just fine.